The Day We Danced in Underpants

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Sarah Wilson’s The Day We Danced in Underpants is an incredibly charming, uproarious picture book. On the very first page, the protagonist, a young girl, and her family are all invited to have a picnic with the king of France—as well as his cows, cat, and plants. From that silly rhyme on (and its silly picture of a crown-wearing cat and cow drinking tea), you know you’re in for a real treat.

Each page’s rhyme is simply a joy to read—even though many are tongue twisters. The girl, her father (in his very smart trousers), and her three aunts embark to the King’s castle, where he, along with the queen and dozens of courtiers, are having a large, fancy picnic in the hot sun outside. All of the overdressed attendants are feeling miserable in the heat, but still maintaining their composure until the girl’s father’s underpants tear and fall as he tries to sit at the table.

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T is for Terrible

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What an awful children’s story!

It started out just fine, with a very unconventional (rotund?) Tyrannosaurus Rex talking about his melancholy state since everyone thinks he’s so terrible. He bows his head, announces that he doesn’t know why everyone thinks he’s so terrible, and he feels guilty about stepping on the flowers and squishing them. It leads up to being an uplifting tale about misconceptions regarding the dinosaur—which, in fact, it’s not.

The title is misleading as well, by the way, as it sounds like it’s going to be a book about letters or something like that.

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Our Tree Named Steve

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Alan Zweibel is a comedic genius. A former writer for the original Saturday Night Live, he has won tons of Emmy awards for writing on various TV shows and comedy specials. He also happens to be a fantastic children’s book writer.

In his book Our Tree Named Steve, Zweibel writes a letter, as a father, to his three children. (The names of the children are actually the names of Zweibel’s children, making me wonder if this could be an autobiographical story.) He reminisces about the family tree—a tree they spared from being cut down when they built their house, which got its name from the youngest child dubbing it “Steve” when she couldn’t pronounce “tree.”

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The Stinky Cheese Man and Other Fairly Stupid Tales

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John Scieszka’s books are laugh-out-loud funny, perfect for any reluctant reader to quickly become absorbed in. His The True Story of the Three Little Pigs is a hilarious take on the traditional tale, featuring a poor misunderstood wolf and his version of what happened to the title characters. The Stinky Cheese Man and Other Fairly Stupid Tales is even more uproariously funny, with Jack (of “Jack and the Beanstalk”) as the annoyed narrator who has to deal with all of the characters in the book.

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Titch

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Pat Hutchins’s 1971 picture book Titch is a classic example of how being little can be a good thing. Titch, the title character, is a little boy who isn’t very happy being little. Though it’s never explained in the text, Titch’s unhappy expressions convey his displeasure being smaller than his sister Mary and his brother Pete very well.

Mary and Pete, both older than little Titch, the title character, are quite smug with being bigger— and shows it in their pictures. All of Titch’s stuff is smaller than Mary and Pete’s as well—his bike, his pinwheel (his brother and sister have tall kites instead), and his musical instrument. In every picture, poor Titch is either sad or confused as he watches his big brother and big sister outdo him in everything they do together.

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I Hear, I See, I Touch

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Helen Oxenbury’s delightful drawings make a wonderful teaching tool in her 1985 book, I Hear, I See, I Touch. Whether you’re addressing a child’s sensory needs, teaching about the senses, or simply describing colors, actions, or even nouns to older children, it’s a very simple yet effective set of pictures to use that are also enjoyable to read.

The book isn’t a story in the traditional sense; there’s really no plot or anything like that. Instead, there are sets of cells displayed in chart form, depicting a young boy and his adventures using his senses. The first set of six cells portrays the boy hearing various things, from birds to dogs to rain and a watch. The author does a great job showing that hearing is useful both indoors and outdoors, and for both natural things like animals and babies as well as manmade things like watches and telephones.

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Ten, Nine, Eight

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Molly Bang’s Ten, Nine, Eight is a beautifully written children’s book that counts down to a child’s bedtime. Each illustration is lovingly detailed with a mixture of childlike wonder and soft, comforting colors. Each picture builds upon the previous one’s scene, displaying tiny glimpses of a single child’s room. This almost makes the book appear to provide a peek into the way a child views the world—or at least his or her own bedroom—and, indeed, most of the illustrations are from the child’s point of view in the story, as you can see from the first picture of the child’s toes sticking out in front of her.

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Freight Train

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Published in 1978, Donald Crews’s Freight Train is a classic picture book that most children—particularly lovers of trains—are sure to love. The story is very simple, with very few words and simple illustrations. However, the words that are used teach train vocabulary and colors, creating an easygoing reading experience that both educates and entertains.

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The Snowy Day

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In the Midwest where I live, it’s a perfect time of year to enjoy Ezra Jack Keats’s The Snowy Day. Published in 1962, it’s the story of an adorable little boy named Peter who, donned in a gnome-like red snowsuit, embarks on a simple yet lovely adventure into the snow on the first snowy day of the year.

Peter engages in the very same things most preschoolers would find interesting to do in the snow. He admires the highly piled snow, crunches his feet in it satisfyingly, experiments with different ways to walk in the snowy powder, uses a stick to explore the snow, makes a snowman and a snow angel, and other activities. Peter even contemplates joining the “big boys” for a snowball fight but knows that he’s just not old enough—“not yet.”

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Madeline

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Who could ever forget the loveable, curious little girl Madeline, Miss Clavel, and the other eleven little girls who lived in two straight rows? Madeline was always so appealing because she was a brave girl. Even though she was the smallest, she was not afraid of anything, from mice to tigers.

Remember when Madeline had to have her appendix removed? It was so sweet and funny—how the other girls cried and worried over her (for she was certainly worried, too) but how, rather than focusing on the operation itself, the book told of the wonderful toys and gifts she received, the funny rabbit crack patterns on the ceiling, and especially of Madeline’s new interesting scar? The book ended so memorably with all of the other girls crying about how they, too, wished to have their appendixes removed!

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